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・ Alexandre Émond
・ Alexandre Étienne Choron
・ Alexandre, Chevalier de Chaumont
・ Alexandre, vicomte Digeon
・ Alexandre-Achille Souques
・ Alexandre-Antoine Hureau de Sénarmont
・ Alexandre-Antonin Taché
・ Alexandre-Athenase Noghès
・ Alexandre-Dominique Denuelle
・ Alexandre-Ferdinand Nguendet
・ Alexandre-François Caminade
・ Alexandre-François Desportes
・ Alexandre-François Vivien
・ Alexandre-Gabriel Decamps
・ Alexandre-Hyacinthe Dunouy
Alexandre-Jacques Chantron
・ Alexandre-Jean Dubois-Drahonet
・ Alexandre-Joseph Desenne
・ Alexandre-Louis Leloir
・ Alexandre-Marie Colin
・ Alexandre-Marie Guillemin
・ Alexandre-Marie Quesnay de Beaurepaire
・ Alexandre-Maurice Delisle
・ Alexandre-Pierre Gaspar
・ Alexandre-René Chaussegros de Léry
・ Alexandre-Théodore Brongniart
・ Alexandre-Théodore-Victor, comte de Lameth
・ Alexandre-Théophile Vandermonde
・ Alexandre-Vincent Pineux Duval
・ Alexandre-Édouard Kierzkowski


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Alexandre-Jacques Chantron : ウィキペディア英語版
Alexandre-Jacques Chantron

Alexandre Jacques Chantron (January 28, 1842 – 1918) was a French artist from the Western city of Nantes. His early work consisted mainly of portraits and still lives, and later he took to painting nude studies in the manner of Bouguereau, a theme he continued to develop while experimenting with the fledgeling photographic technology of the day.〔(【引用サイトリンク】 Alexandre-Jacques Chantron (1842 – 1918) )
Chantron was a pupil of François-Édouard Picot, Tony Robert-Fleury and William-Adolphe Bouguereau. He entered the Paris Salon in 1877 with a religious subject, and gained an honorable mention in 1893. He exhibited ''Fleurs de printemps'' at the Salon in 1895. He was awarded a third class medal in 1899, and a second class medal in 1902 for his painting ''Feuilles Mortes''.
==References==


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